'The Prisoner' (1952) and the perpetrator in early post-war British television

Investigates the political implications of the 1952 British television play 'The Prisoner', an early representation of the modern state of Israel that provoked consternation due to its depiction of a murdered Israeli minister as a former Nazi. Jordan examines the implications of such representations regarding attitudes towards Israel in an essay which incorporates archival material revealing the play's evolution and reception