Against a present that places the incomprehensible in the cold storage of history': the representation and experience of limit in Jean Amery and Primo Levi

If the theme of the representation of the dramatic consequences produced by the political and aesthetic order of Nazism has prompted, since the liberation from the extermination camps, a debate around the impossibility or illegitimacy of the representation of such events and of the politics produced by these events, less attention has been paid to the repercussions that Nazism, through its most destructive hypostases, produced in relation to the internal structure of representation. Jean-Luc Nancy discusses the question in these terms