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Handlinger Visningsindstillinger	Hooray for Hollywood?' American cinema, Hollywood Jews and the 'Jewish question' during the Nazi era Remove from selection Add to selection Titel' Hooray for Hollywood?' American cinema, Hollywood Jews and the 'Jewish question' during the Nazi era Forfatter T.D. Kramer Call number296/0053 Objektnummer10727b UdgivelsesstedSydney, New South Wales, Australia UdgiverMandelbaum Publishing Udgivelsesår 2004 Pagineringpp137-163 MaterialeArticle NoterArticle from 'Anafim : proceedings of the Australasian Jewish Studies Forum held at Mandelbaum House, University of Sydney, 8-9 February 2004'pp137-163 Beskrivelse In complete contrast to the silent era, American cinema of the Nazi epoch, 1933-45 saw the virtual disappearance of Jews from the screen,- that is Hollywood's output became cleansed of Jews. Typical of this transformation were two of the very few films of the period that could have had anti-semitism as their core. They were "The life of Emile Zola" and "Confessions of a Nazi spy", The few Jewish characters had their Jewish identity totally subjugated

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Hooray for Hollywood?' American cinema, Hollywood Jews and the 'Jewish question' during the Nazi era

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Titel' Hooray for Hollywood?' American cinema, Hollywood Jews and the 'Jewish question' during the Nazi era

Forfatter

T.D. Kramer

Call number296/0053

Objektnummer10727b

UdgivelsesstedSydney, New South Wales, Australia

UdgiverMandelbaum Publishing

Udgivelsesår

2004

Pagineringpp137-163

MaterialeArticle

NoterArticle from 'Anafim : proceedings of the Australasian Jewish Studies Forum held at Mandelbaum House, University of Sydney, 8-9 February 2004'pp137-163

Beskrivelse

In complete contrast to the silent era, American cinema of the Nazi epoch, 1933-45 saw the virtual disappearance of Jews from the screen,- that is Hollywood's output became cleansed of Jews. Typical of this transformation were two of the very few films of the period that could have had anti-semitism as their core. They were "The life of Emile Zola" and "Confessions of a Nazi spy", The few Jewish characters had their Jewish identity totally subjugated

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