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ادوات السجل العروض	Transits: essayistic thinking at the junctures of images in Harun Farocki's "Respite" and Arnaud des Pallieres's "Drancy Avenir" إزالة من الاختيار ضف للاختيار العنوانTransits: essayistic thinking at the junctures of images in Harun Farocki's "Respite" and Arnaud des Pallieres's "Drancy Avenir" مؤلف Rascaroli Laura Call number791.43658/0009 رقم الكائن10784c مكان النشرLondon, England الناشرLegenda سنة النشر 2013 التوريقpp66-83 مادةArticle سلسلةMoving Image (Modern Humanities Research Association) NotesArticle from the book '' Holocaust intersections. Genocide and visual culture at the new millennium'' pp66-83 الوصف Discusses a rich and recently flourishing kind of filmmaking enquiry into the Holocaust, which she labels essay film. It uses two essayistic film enquiries into and re-evocations of, sites of Holocaust transit and transition - the camps of Westerbork in the Netherlands, and Drancy near Paris - to show the fragility of the essay form

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Transits: essayistic thinking at the junctures of images in Harun Farocki's "Respite" and Arnaud des Pallieres's "Drancy Avenir"

ضف للاختيار

العنوانTransits: essayistic thinking at the junctures of images in Harun Farocki's "Respite" and Arnaud des Pallieres's "Drancy Avenir"

مؤلف

Rascaroli Laura

Call number791.43658/0009

رقم الكائن10784c

مكان النشرLondon, England

الناشرLegenda

سنة النشر

2013

التوريقpp66-83

مادةArticle

سلسلةMoving Image (Modern Humanities Research Association)

NotesArticle from the book '' Holocaust intersections. Genocide and visual culture at the new millennium'' pp66-83

الوصف

Discusses a rich and recently flourishing kind of filmmaking enquiry into the Holocaust, which she labels essay film. It uses two essayistic film enquiries into and re-evocations of, sites of Holocaust transit and transition - the camps of Westerbork in the Netherlands, and Drancy near Paris - to show the fragility of the essay form

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