For and against the 'bilderverbot': the rhetoric of "unrepresentability" and remediated "authenticity" in the German reception of Steven Spielberg's 'Schindler's List'

Focuses on how the rhetoric of unrepresentability as attributed to Adorno, came to function in various reviews and debates about Steven Spielberg's film 'Schindler's List'. Describes what she senses as a no-win game when dealing with the legacy of Jewish extermination