Examines reactions to three films: Judgement at Nuremberg (1961), The Pawnbroker (1965), and Schindler's List (1992), and considers what those reactions reveal about the place of the Holocaust in the American mind, and how those films have shaped the popular perception of the Holocaust. It also considers the difference in the reception of the two earlier films when they first appeared in the 1960s and retrospective evaluations of them from the late twentieth century