In this chapter the writers demonstrate how the editorial choices made by the Jewish Historical Institute in using the documents collected in the Warsaw Ghetto constituted de facto self-censorship and this editorial line was assimilated into the official state narrative of World War II. Three volumes of literary works (a collection of short stories by Peretz, a collection of stories by Jehuda Feld and a novel by Zalmen Skalov) published in 1954 and preserved in the Ringelblum Archive are focussed upon in this discussion.