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Actions Displays	Transits: essayistic thinking at the junctures of images in Harun Farocki's "Respite" and Arnaud des Pallieres's "Drancy Avenir" Remove from selection Add to selection TitleTransits: essayistic thinking at the junctures of images in Harun Farocki's "Respite" and Arnaud des Pallieres's "Drancy Avenir" Author Rascaroli Laura Call number791.43658/0009 Object number10784c Place of publicationLondon, England PublisherLegenda Year of publication 2013 Physical descriptionpp66-83 MaterialArticle Series titleMoving Image (Modern Humanities Research Association) NotesArticle from the book '' Holocaust intersections. Genocide and visual culture at the new millennium'' pp66-83 Description Discusses a rich and recently flourishing kind of filmmaking enquiry into the Holocaust, which she labels essay film. It uses two essayistic film enquiries into and re-evocations of, sites of Holocaust transit and transition - the camps of Westerbork in the Netherlands, and Drancy near Paris - to show the fragility of the essay form

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Transits: essayistic thinking at the junctures of images in Harun Farocki's "Respite" and Arnaud des Pallieres's "Drancy Avenir"

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TitleTransits: essayistic thinking at the junctures of images in Harun Farocki's "Respite" and Arnaud des Pallieres's "Drancy Avenir"

Author

Rascaroli Laura

Call number791.43658/0009

Object number10784c

Place of publicationLondon, England

PublisherLegenda

Year of publication

2013

Physical descriptionpp66-83

MaterialArticle

Series titleMoving Image (Modern Humanities Research Association)

NotesArticle from the book '' Holocaust intersections. Genocide and visual culture at the new millennium'' pp66-83

Description

Discusses a rich and recently flourishing kind of filmmaking enquiry into the Holocaust, which she labels essay film. It uses two essayistic film enquiries into and re-evocations of, sites of Holocaust transit and transition - the camps of Westerbork in the Netherlands, and Drancy near Paris - to show the fragility of the essay form

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