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Actions Displays	Hooray for Hollywood?' American cinema, Hollywood Jews and the 'Jewish question' during the Nazi era Remove from selection Add to selection Title' Hooray for Hollywood?' American cinema, Hollywood Jews and the 'Jewish question' during the Nazi era Author T.D. Kramer Call number296/0053 Object number10727b Place of publicationSydney, New South Wales, Australia PublisherMandelbaum Publishing Year of publication 2004 Physical descriptionpp137-163 MaterialArticle NotesArticle from 'Anafim : proceedings of the Australasian Jewish Studies Forum held at Mandelbaum House, University of Sydney, 8-9 February 2004'pp137-163 Description In complete contrast to the silent era, American cinema of the Nazi epoch, 1933-45 saw the virtual disappearance of Jews from the screen,- that is Hollywood's output became cleansed of Jews. Typical of this transformation were two of the very few films of the period that could have had anti-semitism as their core. They were "The life of Emile Zola" and "Confessions of a Nazi spy", The few Jewish characters had their Jewish identity totally subjugated

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Hooray for Hollywood?' American cinema, Hollywood Jews and the 'Jewish question' during the Nazi era

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Title' Hooray for Hollywood?' American cinema, Hollywood Jews and the 'Jewish question' during the Nazi era

Author

T.D. Kramer

Call number296/0053

Object number10727b

Place of publicationSydney, New South Wales, Australia

PublisherMandelbaum Publishing

Year of publication

2004

Physical descriptionpp137-163

MaterialArticle

NotesArticle from 'Anafim : proceedings of the Australasian Jewish Studies Forum held at Mandelbaum House, University of Sydney, 8-9 February 2004'pp137-163

Description

In complete contrast to the silent era, American cinema of the Nazi epoch, 1933-45 saw the virtual disappearance of Jews from the screen,- that is Hollywood's output became cleansed of Jews. Typical of this transformation were two of the very few films of the period that could have had anti-semitism as their core. They were "The life of Emile Zola" and "Confessions of a Nazi spy", The few Jewish characters had their Jewish identity totally subjugated

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